DESIGN BEING

Making decisions that are important to me inspired by my landscape. Ideas about environmental design, sustainability, eco-positivity, interior design, and anything that can help inspire the next moment.

Instead of contemplating the void of the guggenheim museum’s central space, JDS architects have proposed an experience which sees a trampoline net spiraling down the institution’s rotunda. this idea plays on frank lloyd wright’s original scenography for the guggenheim in which he envisioned patrons visiting the exhibition from the top, downwards.

JDS architects: experiencing the void

(via jillsies)

Please do not be cynical. It doesn’t lead anywhere. Nobody in life gets exactly what they thought they were going to get, but if you work really hard, and you’re kind, amazing things will happen. - Conan O’Brien
courtneyc:

Sarah of Saipua has a nice post about geometry and flower arranging over at Design Sponge.

courtneyc:

Sarah of Saipua has a nice post about geometry and flower arranging over at Design Sponge.

(via pocketmonsterd)

PROFESSOR OLAFUR ELIASSON.

Artist Olafur Eliasson’s forthcoming professorship at Berlin’s Universität der Künste will be an experiment in art education.

image

Studio Olafur Eliasson, Berlin, 2008

In April 2009, the Berlin-based Danish-Icelandic artist Olafur Eliasson will begin his professorship at Berlin’s Universität der Künste (UdK). This might not sound like ground-breaking news, but for an art school that has endured much recent criticism in the German press for botching its relationships with professors and being woefully behind the times when it comes to hiring local talent, it’s a significant move forward.

Granted, it took almost three years to negotiate a compromise between the structure of the traditional German art academy and Eliasson’s vision for his teaching position. Following the German art education model, Eliasson will take on 15 to 20 ‘spatially motivated people’ from the pool of UdK applicants for the five-year duration of their studies, in addition to a few exchange students and – he hopes – three PhD candidates. But rather than commuting to the University’s studios, Eliasson will teach them in a 550-square-metre space located literally on top of his own studio.

———-

Though Eliasson admires artists who never went to art school, he nevertheless thinks that art education is increasingly important. ‘The world is just so fucked up that it seems desperately to need art around. I think the participants will take away from the school the potential of being productive participants in the world. And I think this requires a sense of responsibility and precision. I hope they’ll learn to be a part of the world or “with the world”.

_____________________

http://www.frieze.com/issue/article/open_studio/

There are two kinds of artists in this world; those that work because the spirit is in them, and they cannot be silent if they would, and those that speak from a conscientious desire to make apparent to others the beauty that has awakened their own admiration.

Anna Katharine Green (via quote-book) (via reginkula)

yvynyl:

Hip-hop!

(via joli:lazysundae)

nevver:

Going Underground - Vals, Switzerland

I have been such a long time fan of Robert Smithson. I am excited to get an update on his Spiral Jetty and not so excited about the demise of a brilliant work of art. However, therein lies the beauty of art that develops and evolves (or erodes) symbiotically with the natural environment… beautiful isn’t it?

A great story in the NYT on how the DIA is trying to document/conserve Robert Smithson’s Spiral Jetty, on a shoe string budget. (via pocketmonsterd)

More Information